{"id":1081,"date":"2021-09-01T12:26:39","date_gmt":"2021-09-01T12:26:39","guid":{"rendered":"https:\/\/museoanton.es\/?page_id=1081"},"modified":"2022-01-13T10:36:49","modified_gmt":"2022-01-13T10:36:49","slug":"qr_int_6","status":"publish","type":"page","link":"https:\/\/museoanton.es\/en\/qr_int_6\/","title":{"rendered":"6.- SOCIAL THEMED SCULPTURES"},"content":{"rendered":"<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px;\" >\n<h5 id=\"bajar\"><\/h5>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<h2 style=\"color: #999999; text-align: center;\"><span style=\"color: #808080;\"><strong><img decoding=\"async\" loading=\"lazy\" class=\"alignnone wp-image-808\" src=\"https:\/\/museoanton.es\/wp-content\/uploads\/2021\/09\/6.svg\" alt=\"\" width=\"50\" height=\"50\" \/><br \/>\nSOCIAL THEMED SCULPTURES<\/strong><\/span><\/h2>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\"><audio class=\"wp-audio-shortcode\" id=\"audio-1081-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museoanton.es\/en\/wp-content\/uploads\/sites\/11\/2022\/01\/int_6en.mp3?_=2\" \/><a href=\"https:\/\/museoanton.es\/en\/wp-content\/uploads\/sites\/11\/2022\/01\/int_6en.mp3\">https:\/\/museoanton.es\/en\/wp-content\/uploads\/sites\/11\/2022\/01\/int_6en.mp3<\/a><\/audio>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<h6 style=\"text-align: right;\"><a class=\"btn btn-default btn-sm\" href=\"https:\/\/museoanton.es\/en\/qr_int_7\/\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone wp-image-2398\" src=\"https:\/\/3w.museovt.com\/wp-content\/uploads\/2021\/02\/flechaQr.svg\" alt=\"\" width=\"55\" height=\"36\" \/><\/a><\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<p style=\"text-align: justify;\"><span lang=\"ES\"><i class=\"fa fa-deaf fa-2x\" aria-hidden=\"true\"><\/i> Ant\u00f3n\u2019s reality is reflected in his pieces. The two sculptures presented in this room with a social theme, \u201cLa marinera\u201d and \u201cLa Se\u00f1\u00e1 Isabel\u201d, are pieces with an intense expressionist voice.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<p style=\"text-align: justify;\"><span lang=\"ES\"><i class=\"fa fa-deaf fa-2x\" aria-hidden=\"true\"><\/i> Ant\u00f3n\u2019s reality is reflected in his pieces. The two sculptures presented in this room with a social theme, \u201cLa marinera\u201d and \u201cLa Se\u00f1\u00e1 Isabel\u201d, are pieces with an intense expressionist voice.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<p style=\"text-align: justify;\"><span lang=\"ES\"><i class=\"fa fa-deaf fa-2x\" aria-hidden=\"true\"><\/i> Ant\u00f3n\u2019s reality is reflected in his pieces. The two sculptures presented in this room with a social theme, \u201cLa marinera\u201d and \u201cLa Se\u00f1\u00e1 Isabel\u201d, are pieces with an intense expressionist voice.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"standard_wrapper\">\n<div  class=\"two_third last withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<h4 style=\"text-align: justify;\"><strong>La marinera, 1933.<\/strong><\/h4>\n<p style=\"text-align: justify;\">This piece is probably one of the best and most representative of Ant\u00f3n&#8217;s artistic career.<\/p>\n<p style=\"text-align: justify;\">It is a sculpture carved in wood, representing the wife of a sailor with her young son, on their way to the port to see whether her husband has returned home.<\/p>\n<p style=\"text-align: justify;\">The sculptural ensemble is impregnated with a psychological and expressive eloquence that centres on the woman&#8217;s face, which shows anxiety and fear in the face of a possible tragedy. This feeling is further accentuated by the presence of the child, who looks directly at his mother and is crying out for her to pick him up, making the scene even more distressing.<\/p>\n<p style=\"text-align: justify;\">The woman&#8217;s clothes are being blown about by gusts of winds, the same winds that put her husband&#8217;s life at risk, adding more drama to the piece.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"standard_wrapper\">\n<div  class=\"two_third last withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<h4 style=\"text-align: justify;\"><strong>La marinera, 1933.<\/strong><\/h4>\n<p style=\"text-align: justify;\">This piece is probably one of the best and most representative of Ant\u00f3n&#8217;s artistic career.<\/p>\n<p style=\"text-align: justify;\">It is a sculpture carved in wood, representing the wife of a sailor with her young son, on their way to the port to see whether her husband has returned home.<\/p>\n<p style=\"text-align: justify;\">The sculptural ensemble is impregnated with a psychological and expressive eloquence that centres on the woman&#8217;s face, which shows anxiety and fear in the face of a possible tragedy. This feeling is further accentuated by the presence of the child, who looks directly at his mother and is crying out for her to pick him up, making the scene even more distressing.<\/p>\n<p style=\"text-align: justify;\">The woman&#8217;s clothes are being blown about by gusts of winds, the same winds that put her husband&#8217;s life at risk, adding more drama to the piece.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"standard_wrapper\">\n<div  class=\"two_third last withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<h4 style=\"text-align: justify;\"><strong>La marinera, 1933.<\/strong><\/h4>\n<p style=\"text-align: justify;\">This piece is probably one of the best and most representative of Ant\u00f3n&#8217;s artistic career.<\/p>\n<p style=\"text-align: justify;\">It is a sculpture carved in wood, representing the wife of a sailor with her young son, on their way to the port to see whether her husband has returned home.<\/p>\n<p style=\"text-align: justify;\">The sculptural ensemble is impregnated with a psychological and expressive eloquence that centres on the woman&#8217;s face, which shows anxiety and fear in the face of a possible tragedy. This feeling is further accentuated by the presence of the child, who looks directly at his mother and is crying out for her to pick him up, making the scene even more distressing.<\/p>\n<p style=\"text-align: justify;\">The woman&#8217;s clothes are being blown about by gusts of winds, the same winds that put her husband&#8217;s life at risk, adding more drama to the piece.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"standard_wrapper\">\n<div  class=\"two_third last withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<h4 style=\"text-align: justify;\"><strong>La Se\u00f1\u00e1 Isabel, 1932<\/strong><\/h4>\n<p style=\"text-align: justify;\"><span lang=\"EN-GB\">Made in cast bronze from the original plaster model that is preserved in the Museum, this sculpture is a half-length bust of Isabel, an elderly woman wearing a shawl and a typical manta from Cand\u00e1s, who lived near the Estrada Nora house that was converted into the Ant\u00f3n Museum.<\/span><\/p>\n<p style=\"text-align: justify;\"><span lang=\"EN-GB\">It is a piece with a strong expressive load, where the artist draws focus to the clothes with very marked folds that add dynamism to the piece by playing with light and shadow.<\/span><\/p>\n<p style=\"text-align: justify;\"><span lang=\"EN-GB\">The artist&#8217;s work focused on the woman&#8217;s hands and face, in whose physiognomy he found not only the characteristic features of old age but also the accumulated fatigue of many hours working.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>SOCIAL THEMED SCULPTURES https:\/\/museoanton.es\/en\/wp-content\/uploads\/sites\/11\/2022\/01\/int_6en.mp3 Ant\u00f3n\u2019s reality is reflected in his pieces. The two sculptures presented in this room with a social theme, \u201cLa marinera\u201d and \u201cLa Se\u00f1\u00e1 Isabel\u201d, are pieces with an intense expressionist voice. Ant\u00f3n\u2019s reality is reflected in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"_trash_the_other_posts":false,"editor_notices":[],"footnotes":""},"class_list":["post-1081","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/museoanton.es\/en\/wp-json\/wp\/v2\/pages\/1081","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museoanton.es\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/museoanton.es\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/museoanton.es\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museoanton.es\/en\/wp-json\/wp\/v2\/comments?post=1081"}],"version-history":[{"count":66,"href":"https:\/\/museoanton.es\/en\/wp-json\/wp\/v2\/pages\/1081\/revisions"}],"predecessor-version":[{"id":2599,"href":"https:\/\/museoanton.es\/en\/wp-json\/wp\/v2\/pages\/1081\/revisions\/2599"}],"wp:attachment":[{"href":"https:\/\/museoanton.es\/en\/wp-json\/wp\/v2\/media?parent=1081"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}