{"id":1002,"date":"2021-09-01T11:21:13","date_gmt":"2021-09-01T11:21:13","guid":{"rendered":"https:\/\/museoanton.es\/?page_id=1002"},"modified":"2022-01-13T10:36:19","modified_gmt":"2022-01-13T10:36:19","slug":"qr_int_4","status":"publish","type":"page","link":"https:\/\/museoanton.es\/en\/qr_int_4\/","title":{"rendered":"4.- CHILDREN&#8217;S PORTRAITS"},"content":{"rendered":"<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px;\" >\n<h5 id=\"bajar\"><\/h5>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<h2 style=\"color: #999999; text-align: center;\"><span style=\"color: #ffffff;\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone wp-image-806\" src=\"https:\/\/museoanton.es\/wp-content\/uploads\/2021\/09\/4.svg\" alt=\"\" width=\"50\" height=\"50\" \/><br \/>\n<\/span><span style=\"color: #808080;\"><strong>CHILDREN&#8217;S PORTRAITS<\/strong><\/span><\/h2>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\"><audio class=\"wp-audio-shortcode\" id=\"audio-1002-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/museoanton.es\/en\/wp-content\/uploads\/sites\/11\/2022\/01\/int_4en.mp3?_=2\" \/><a href=\"https:\/\/museoanton.es\/en\/wp-content\/uploads\/sites\/11\/2022\/01\/int_4en.mp3\">https:\/\/museoanton.es\/en\/wp-content\/uploads\/sites\/11\/2022\/01\/int_4en.mp3<\/a><\/audio>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<h6 style=\"text-align: right;\"><a class=\"btn btn-default btn-sm\" href=\"https:\/\/museoanton.es\/en\/qr_int_5\/\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone wp-image-2398\" src=\"https:\/\/3w.museovt.com\/wp-content\/uploads\/2021\/02\/flechaQr.svg\" alt=\"\" width=\"55\" height=\"36\" \/><\/a><\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<p style=\"text-align: justify;\"><i class=\"fa fa-deaf fa-2x\" aria-hidden=\"true\"><\/i>Ant\u00f3n cultivated the portrait genre and was very prolific in the creation of this type of work.<\/p>\n<p style=\"text-align: justify;\">His portraits reached sculptural levels that were very close to reality, in terms of anatomy and expressions, as he captured both the physical and psychological features of the person portrayed. This is surely due to common emotional ties, since his models were always people he was close to: family, friends or neighbours would pose for him on their own initiative.<\/p>\n<p style=\"text-align: justify;\">In this room you can admire several different pieces that fall into this theme, all very diverse in their compositional approach.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<p style=\"text-align: justify;\"><i class=\"fa fa-deaf fa-2x\" aria-hidden=\"true\"><\/i>Ant\u00f3n cultivated the portrait genre and was very prolific in the creation of this type of work.<\/p>\n<p style=\"text-align: justify;\">His portraits reached sculptural levels that were very close to reality, in terms of anatomy and expressions, as he captured both the physical and psychological features of the person portrayed. This is surely due to common emotional ties, since his models were always people he was close to: family, friends or neighbours would pose for him on their own initiative.<\/p>\n<p style=\"text-align: justify;\">In this room you can admire several different pieces that fall into this theme, all very diverse in their compositional approach.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div  class=\"one withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<p style=\"text-align: justify;\"><i class=\"fa fa-deaf fa-2x\" aria-hidden=\"true\"><\/i>Ant\u00f3n cultivated the portrait genre and was very prolific in the creation of this type of work.<\/p>\n<p style=\"text-align: justify;\">His portraits reached sculptural levels that were very close to reality, in terms of anatomy and expressions, as he captured both the physical and psychological features of the person portrayed. This is surely due to common emotional ties, since his models were always people he was close to: family, friends or neighbours would pose for him on their own initiative.<\/p>\n<p style=\"text-align: justify;\">In this room you can admire several different pieces that fall into this theme, all very diverse in their compositional approach.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"standard_wrapper\">\n<div  class=\"two_third last withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<h4 style=\"text-align: justify;\"><strong>Oscar, 1929.<\/strong><\/h4>\n<p style=\"text-align: justify;\"><span lang=\"EN-GB\">Made in cast bronze from the original plaster model that is kept in the Museum, here Ant\u00f3n portrays \u00d3scar half-length, wearing a shirt; his face is turned to the right and he gazes downwards, expressing a subtle air of melancholy.<\/span><\/p>\n<p style=\"text-align: justify;\"><span lang=\"EN-GB\">You can see the date and author&#8217;s signature in the lower left corner.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"standard_wrapper\">\n<div  class=\"two_third last withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<h4 style=\"text-align: justify;\"><strong>Oscar, 1929.<\/strong><\/h4>\n<p style=\"text-align: justify;\"><span lang=\"EN-GB\">Made in cast bronze from the original plaster model that is kept in the Museum, here Ant\u00f3n portrays \u00d3scar half-length, wearing a shirt; his face is turned to the right and he gazes downwards, expressing a subtle air of melancholy.<\/span><\/p>\n<p style=\"text-align: justify;\"><span lang=\"EN-GB\">You can see the date and author&#8217;s signature in the lower left corner.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"standard_wrapper\">\n<div  class=\"two_third last withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<h4 style=\"text-align: justify;\"><strong>Oscar, 1929.<\/strong><\/h4>\n<p style=\"text-align: justify;\"><span lang=\"EN-GB\">Made in cast bronze from the original plaster model that is kept in the Museum, here Ant\u00f3n portrays \u00d3scar half-length, wearing a shirt; his face is turned to the right and he gazes downwards, expressing a subtle air of melancholy.<\/span><\/p>\n<p style=\"text-align: justify;\"><span lang=\"EN-GB\">You can see the date and author&#8217;s signature in the lower left corner.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"standard_wrapper\">\n<div  class=\"two_third last withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<h4 class=\"p1\"><strong>Cuca Aja, 1933.<\/strong><\/h4>\n<p style=\"text-align: justify;\"><span lang=\"EN-GB\">In this piece, made in cast bronze based on the original plaster model that the Museum conserves, Ant\u00f3n portrays Cuca Aja, a niece of his friend Jes\u00fas Aja, when she was two years old.<\/span><\/p>\n<p style=\"text-align: justify;\"><span lang=\"EN-GB\">The sculpture takes a highly ornamental composition because of the child\u2019s very curly ringlets and the ruffles of the dress that she is wearing.<\/span><\/p>\n<p style=\"text-align: justify;\">.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"standard_wrapper\">\n<div  class=\"two_third last withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<h4 class=\"p1\"><strong>Cuca Aja, 1933.<\/strong><\/h4>\n<p style=\"text-align: justify;\"><span lang=\"EN-GB\">In this piece, made in cast bronze based on the original plaster model that the Museum conserves, Ant\u00f3n portrays Cuca Aja, a niece of his friend Jes\u00fas Aja, when she was two years old.<\/span><\/p>\n<p style=\"text-align: justify;\"><span lang=\"EN-GB\">The sculpture takes a highly ornamental composition because of the child\u2019s very curly ringlets and the ruffles of the dress that she is wearing.<\/span><\/p>\n<p style=\"text-align: justify;\">.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"standard_wrapper\">\n<div  class=\"two_third last withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<h4 class=\"p1\"><strong>Cuca Aja, 1933.<\/strong><\/h4>\n<p style=\"text-align: justify;\"><span lang=\"EN-GB\">In this piece, made in cast bronze based on the original plaster model that the Museum conserves, Ant\u00f3n portrays Cuca Aja, a niece of his friend Jes\u00fas Aja, when she was two years old.<\/span><\/p>\n<p style=\"text-align: justify;\"><span lang=\"EN-GB\">The sculpture takes a highly ornamental composition because of the child\u2019s very curly ringlets and the ruffles of the dress that she is wearing.<\/span><\/p>\n<p style=\"text-align: justify;\">.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"standard_wrapper\">\n<div  class=\"two_third last withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<h4 style=\"text-align: justify;\"><strong>Primavera, 1930.<\/strong><\/h4>\n<p style=\"text-align: justify;\">In \u201cPrimavera\u201d, a cast bronze sculpture based on the original plaster model that is kept in the Museum, Ant\u00f3n portrays Encarnaci\u00f3n Rodr\u00edguez Fern\u00e1ndez, better known in Cand\u00e1s as \u201cCi\u00f3n\u201d. To title this piece, he was inspired by her date of birth, March, the month spring begins, which he evokes with a bouquet of roses, also as an offering to the woman being portrayed.<\/p>\n<p style=\"text-align: justify;\">The sculpture is formed through rounded shapes, which highlight the innocent expressiveness of the person being portrayed.<\/p>\n<p style=\"text-align: justify;\">At the base of the piece, you can see the author&#8217;s signature and the date it was made. And the title of the piece in the centre.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"standard_wrapper\">\n<div  class=\"two_third last withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<h4 style=\"text-align: justify;\"><strong>Primavera, 1930.<\/strong><\/h4>\n<p style=\"text-align: justify;\">In \u201cPrimavera\u201d, a cast bronze sculpture based on the original plaster model that is kept in the Museum, Ant\u00f3n portrays Encarnaci\u00f3n Rodr\u00edguez Fern\u00e1ndez, better known in Cand\u00e1s as \u201cCi\u00f3n\u201d. To title this piece, he was inspired by her date of birth, March, the month spring begins, which he evokes with a bouquet of roses, also as an offering to the woman being portrayed.<\/p>\n<p style=\"text-align: justify;\">The sculpture is formed through rounded shapes, which highlight the innocent expressiveness of the person being portrayed.<\/p>\n<p style=\"text-align: justify;\">At the base of the piece, you can see the author&#8217;s signature and the date it was made. And the title of the piece in the centre.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"standard_wrapper\">\n<div  class=\"two_third last withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<h4 style=\"text-align: justify;\"><strong>Primavera, 1930.<\/strong><\/h4>\n<p style=\"text-align: justify;\">In \u201cPrimavera\u201d, a cast bronze sculpture based on the original plaster model that is kept in the Museum, Ant\u00f3n portrays Encarnaci\u00f3n Rodr\u00edguez Fern\u00e1ndez, better known in Cand\u00e1s as \u201cCi\u00f3n\u201d. To title this piece, he was inspired by her date of birth, March, the month spring begins, which he evokes with a bouquet of roses, also as an offering to the woman being portrayed.<\/p>\n<p style=\"text-align: justify;\">The sculpture is formed through rounded shapes, which highlight the innocent expressiveness of the person being portrayed.<\/p>\n<p style=\"text-align: justify;\">At the base of the piece, you can see the author&#8217;s signature and the date it was made. And the title of the piece in the centre.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"standard_wrapper\">\n<div  class=\"two_third last withsmallpadding ppb_text\" style=\"padding:30px 0 30px 0;\" >\n<div class=\"standard_wrapper\">\n<div class=\"page_content_wrapper\">\n<div class=\"inner\">\n<div style=\"margin:auto;width:100%\">\n<h4 style=\"text-align: justify;\"><strong>Arrapiezo dormido, 1930.<\/strong><\/h4>\n<p style=\"text-align: justify;\">Made in cast bronze from the original plaster model that is kept in the Museum, \u201cArrapiezo dormido\u201d is the portrait of Remigio Serrano Rodr\u00edguez, a neighbour of Cand\u00e1s and a friend of \u00d3scar. Remigio had actually gone to watch \u00d3scar pose for Ant\u00f3n. One day, Remigio offered to pose for him properly, but the artist could not pay him, so they agreed that Ant\u00f3n would \u201cpiggyback\u201d him to the pier from La Formiga, every day!<\/p>\n<p style=\"text-align: justify;\">This sculpture marks the beginning of Ant\u00f3n&#8217;s artistic training in 1930. At the age of 19, he presented this piece at the \u00abV Certamen Provincial de Trabajo\u00bb contest in the Asturian town of La Felguera, where he won the first prize and aroused the interest of the painter Evaristo Valle, who was part of the jury at the contest.<\/p>\n<p style=\"text-align: justify;\">When he became aware of Ant\u00f3n\u2019s need for funds to continue with his studies, Valle contacted the canning industrialist Alfonso Albo, who had a factory in Cand\u00e1s, to finance the sculptor&#8217;s artistic studies in Madrid.<\/p>\n<p style=\"text-align: justify;\">At the base of the piece, you can see the author&#8217;s signature and the date it was made.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>CHILDREN&#8217;S PORTRAITS https:\/\/museoanton.es\/en\/wp-content\/uploads\/sites\/11\/2022\/01\/int_4en.mp3 Ant\u00f3n cultivated the portrait genre and was very prolific in the creation of this type of work. His portraits reached sculptural levels that were very close to reality, in terms of anatomy and expressions, as he captured [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"_trash_the_other_posts":false,"editor_notices":[],"footnotes":""},"class_list":["post-1002","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/museoanton.es\/en\/wp-json\/wp\/v2\/pages\/1002","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museoanton.es\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/museoanton.es\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/museoanton.es\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/museoanton.es\/en\/wp-json\/wp\/v2\/comments?post=1002"}],"version-history":[{"count":130,"href":"https:\/\/museoanton.es\/en\/wp-json\/wp\/v2\/pages\/1002\/revisions"}],"predecessor-version":[{"id":2593,"href":"https:\/\/museoanton.es\/en\/wp-json\/wp\/v2\/pages\/1002\/revisions\/2593"}],"wp:attachment":[{"href":"https:\/\/museoanton.es\/en\/wp-json\/wp\/v2\/media?parent=1002"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}